Vocal Technique of the Keroncong Song Ahlan Wa Sahlan

Murcahyanto, Hary and Imtihan, Yuspianal and Khaironi, Yuli Vocal Technique of the Keroncong Song Ahlan Wa Sahlan. Advances in Social Science, Education and Humanities Research.

Text 35. Vocal Technique Kroncong Ahlan wa Sahlan_ Atlantis Press.pdf Download (1MB)

Abstract

Keroncong vocal technique on the song Ahlan Wa Sahlan created by TGKH. Muhammad Zainuddin Abdul Majid has an important role to play. This paper is the result of research focusing on the keroncong vocal technique and the keroncong vocal carrying technique. This type of research uses descriptive qualitative methods. The subject in this study was the song Ahlan Wa Sahlan. Data collection techniques used in this study were interviews, observation and documentation. Checking the validity of the data in this study uses source triangulation. The data analysis technique used consists of four stages, namely, data collection, data reduction, data display, and Conclusion drawing / verification (checking conclusions and verification). The results of this study include the keroncong vocal technique on the Ahlan Wa Sahlan song in detail and detail. First, when singing with the keroncong vocal technique, you must be able to master curves, waves, gregel, willed and triyul. The technique may not be owned by all a keroncong singer, because it is related to flight hours as a keroncong singer. Second, the nature of the process, the most important thing to have is a good appreciation, so that the message contained in the song can be conveyed to the audience. Keywords: Vocal technique, keroncong, ahlan wa sahlan.

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